One feature that we really liked was the variable record time setting. There are a few other features that are worth noting. To set manually, you zoom in on the all-white surface and click to set W/B.
Vhs camera recorder manual#
You can let the camera White Balance itself in auto mode, or you can choose between presets: Fine (for sunny days), Cloud (for cloudy), Halogen (for shooting with video lights) or Manual settings. However, it seemed like there were too many steps to be able to get to this function. The wheel worked well and made it easy to focus. Then we used the wheel to adjust the focus. To focus manually, we went to the menu and switched to manual mode. We found that we often had to press it two or three times to change the setting we wanted. Once you turn the wheel to scroll to an item you want to change, you need to press the wheel. While we liked the well-organized menu, we didn’t like the focus wheel. Push in the focus wheel and you access advanced controls like focus, exposure and white balance. The menu, which adjusts various settings and controls, is divided into two sections: press the menu button and you can activate the digital zoom, tape length, record time and preset titler. For different exposure settings and some special effects you press the same button to scroll through the different effects and exposure settings: sepia, sports, neutral density, fog, twilight and negative/positive effect. The automatic exposure/program and effects buttons are conveniently located on the back of the camcorder. Besides the zoom toggle, the other buttons include a five-second recording button, an image stabilizer, playback buttons and transition and digital effect buttons. Most of the controls are housed in the menu system. There are a minimum number of buttons on the camcorder body.
Vhs camera recorder pro#
In pro mode all manual features become available. In fact, none of the advanced features are available in this mode. There are no settings to set or focus to adjust. In the auto mode you simply point-and-shoot. There are two modes of operation: automatic and pro. This makes it a nice camcorder for novices shooters who want to use external mikes for high-quality productions will need something more. Even though the light looks artificial, it’s nice to have for special occasions like birthdays or weddings when the light is uneven or the conditions dark.Īlthough the GR-AXM225 is clearly aimed at beginners, with its emphasis on ease of use and its lack of external microphone and headphone jacks, there are enough manual controls to accommodate some intermediate shooters. Another nice feature is a built-in light right below the lens. The electronic stabilizer in the GR-AXM225 worked well, especially when we zoomed in tightly. Nice for those of us that tend to lose things. There’s also a convenient built-in lens cover that opens to shoot and closes to protect the lens. Lightly pressed, it zoomed in nice and slow and firmly pressed, it responded nicely, zooming in quickly. The variable speed control zoom is well placed on the camcorder’s body and was sensitive to the pressure we applied with our index fingers. We stuck with the optical setting, got as close to our subject as possible and the image was great: steady and crisp. The numbers on the lens may look good, but digital zooms get ugly at anything over about 100:1. The lens is a 16x optical zoom with a 300x digital zoom. The GR-AXM225 sports a small 2.5-inch color flip-out LCDmonitor with brightness control, a small speaker and a b&w viewfinder. This cannot be done with 8mm, Hi8 or DV camcorders. To watch it on any standard VCR, you simply stick the tape into the adapter that comes included and plop it into your VCR. The GR-AXM225 is a small VHS camcorder that records onto a compact VHS videocassette.
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